ALL RAMAYANA-EASY ENGLISH 2 IN 1 CHAPTER 75 ONWARDS

75. THE END VIBHISHANA 

was crowned King of Lanka in a magnificent ceremony. 

The new Lord of Lanka came out to the Vanara camp and bowed low before Rama. 
Then Rama said to Hanuman: "With the King's permission, enter Lanka and tell Sita what has happened."
 Hanuman accordingly took permission from Vibhishana and went to Asoka Vana to convey the news to Sita.
 Sita's joy was beyond words. She was silent. 
"Why, mother," asked Hanuman, "why do you not speak?" 
"What is there to say, my son?" she answered.
 "How can I repay my debt to you? 
Your wisdom, your valor, you? Your wisdom, your valor, your prowess, your patience, your humility are all your own. 
None in the world can equal you."
 As she said this, her eyes filled with tears of gratitude and affection. 
Hanuman looked at the Rakshasi women who had guarded Sita and turning to Sita said: "I wish to slay these cruel women who troubled you. 
Do give me leave"No, my son," she answered. 
"Who in the world is blameless? 
It is the part of noble souls to be compassionate towards all sinners as well as good people." 
These words of Sita are treasured like nectar by generations of pious men.
 The worst of sinners, clinging to the golden feet of the Mother, can gain forgiveness. 
"These Rakshasis," she continued "but carried out their master's orders.
 How are they to blame? 
Their king is dead and has paid for his crime. 
It is unjust to punish these Rakshasis now." 
All that Hanuman could find to say in reverent admiration was that what she said was only what was worthy of Rama's wife. 
"What message am I to carry to Rama?" he asked. 
"I am eager to be in his presence," she answered. 
"That is all."
 Hanuman returned to Rama and gave an account of his visit. 
For some reason Rama's face now darkened and with lack lustre eyes he fell into a frown study.
 A little later he turned to Vibhishana and said: "Ask Sita to bathe and bedeck herself and bring her here."
 When the message reached Sita in the Asoka Vana, she said: "I would rather go as I am." 
"Not so, my lady," said Vibhishana,
 "the prince's orders should be obeyed." 
So, after a bath and bedecked with jewels and seated in a palanquin, Sita went to the camp.
 When he heard that Sita was coming, Rama woke up from his meditation. Events of the past rose like waves and battering against his mind threw it into a wild commotion of shame, grief and joy. 
As Sita's palanquin was taken through the great concourse of Vanaras, they thronged round the princess and caused confusion.

 It was made worse by the Vanara leaders trying to push them aside and make way for the palanquin. 
"Let no one be kept away," said Rama. 
"These dear Vanaras have stood and suffered for me. 
Sita will be pleased to see me surrounded by such friends. 
Let no one be pushed away."
 Rama's face showed a strange transformation of mind. 
None of those around him, not even Lakshmana could understand. 
Alighting from the palanquin, Sita, with downcast eyes, proceeded towards Rama. 
"Aryaputra," she said and sobbed, unable to speak more. 
Aryaputra in Sanskrit means beloved and noble one and is an intimate form of address of wife to husband.
 "I have slain the enemy," said Rama. I have recovered you.  I have done my duty as a Kshatriya. 
My vow is now fulfilled." 
Incomprehensible and wholly unexpected were these words that he uttered. 
His face darkened for some reason. 
Then he spoke even harsher words. 
"It was not for mere attachment to you that I waged this grim battle but in the discharge of duty as a Kshatriya.
 It gives me no joy now to get you back, for doubtfulness envelopes you like a dark cloud of smoke." 
"What do you wish to do now?" he continued. 
"You must live alone, for we cannot live together. 
You can stay under the protection of any of our kinsmen friends. 
How can a Kshatriya take back a wife who has lived so long in a stranger's house?"
 Sita looked at Rama. 
Her eyes flashed fire. 
"Unworthy words have you spoken!" she said. 
"My ears have heard them and my heart is broken. The uncultured may speak such words but not one nobly born and brought up like you. Your anger, "Unworthy words have you spoken!" she said. 
"My ears have heard them and my heart is broken. 
The uncultured may speak such words but not one nobly born and brought up like you.
 Your anger, it seems, has destroyed your understanding. 
My lord does not remember the family from which I come. 
Janaka, the great seer, was my father and he brought me up.
 Is it my fault that the wicked Rakshasa seized me by force and imprisoned me? But since this is how you look at it, there is but one course open to me."
 Then turning to Lakshmana, "Fetch the faggots, Lakshmana, and kindle a fire," she said.
 Lakshmana, who had been watching Rama's behavior in dismay and indignation turned to look at Rama's face seeking his orders, but Rama did not say 'No' to Sita's request nor show any sign of softening. 
Obeying Sita, Lakshmana kindled a big fire and the princess, with eyes fixed on the ground, circumambulated her lord and exclaimed: "Ye Gods, I bow before you. 
Oh rishis, I bow to you. 
Oh Agni, you at least know my purity and will take me as your own!" 
With these words she jumped into the flames.
 And wonder of wonders! 
The lambent flames were crowded with celestial figures, for all the gods came and assembled there. 
Brahma spoke: "Narayana! Mighty God that took human form to slay Ravana! Is not this your own Lakshmi?" 
Agni, God of fire, rose in his own body out of the flames and lifting Sita in his arms with all her clothes and jewels untouched and intact, presented her to Rama. 
Rama said to Brahma: "Who am I? All that I know and can tell is that I am Rama, son of Dasaratha.
 You know who I am and whence I came and more. 
It is you who must inform me."
 Saying this to Brahma, Rama accepted Sita fire-proved. 
"Think you that I did not know your irreproachable purity?
 This ordeal was to satisfy the people.
 Without it, they would say that Rama, blinded by love, behaved with a strange weakness and broke the rule of well-brought-up men." 
So saying he drew her to his side. 
Then Dasaratha descended from above and, placing the prince on his lap blessed him. 
"My child!" he said to Sita. 
"Forgive my son. 
Forgive him for the wrong he did you to preserve the dharma of the world.
 God bless you!" 
Indra gave his boon, and the Vanaras who died in battle for Rama regained their lives.
 Rama and Sita, now reunited, ascended the Pushpaka which carried them swiftly in the air with their friends, the Vanara warriors and Vibhishana, to Ayodhya.
 As they travelled in the sky, he said: "Look there! That is the causeway built by Nala." 
Again, "Look there, that is Kishkindha," he said, "where I met Nala." Again, "Look there, that is Kishkindha," he said, "where I met and made friends with Hanuman and Sugriva." 
And Rama pointed out to Sita the spots where he and Lakshmana had wandered disconsolate and related to her all his unforgettable experiences. Alighting at Bharadwaja's ashrama, they sent word in advance to Guha and Bharata.
 The city of Ayodhya swam in a sea of joy.
 Rama and Bharata met. 
Planning for Bharata's sake, ambitious Kaikeyi and her hunchback maid had contrived and concocted plots. 
But now, as Bharata bowed at the feet of Rama, a joy deeper than what they had planned for him was his.
 What kingly crown could equal the joy one found at Rama's feet? 
What sovereignty could bring one the glory that was now Bharata's forever? The Vaishnava hymns The Vaishnava hymns exalt Bharata even above Rama for a spotless mind and unblemished unselfishness. 

For fourteen years till the return of Rama, Bharata installed Rama's padukas and administered the kingdom as a exercise in the service of his brother. 
Now that Rama was crowned King as his father had wished, Bharata's penance was at an end and his heart was filled with joy. 
The smile of divine grace brightened Sita's face as she cast her merciful glance on Hanuman. 
What more could Hanuman desire? 
I have retold in brief compass the story of the Prince of Ayodhya as sung by Valmiki. 
Those who read or listen to the tale, it is said, will be saved from sin and sorrow. Sri Sankara, the master of wisdom, has said that, if one keeps in one's heart the son of Dasaratha and meditates on him with reverence, one's sins will all be burnt up as chaff in a fire. 
After the avatar of Rama, the lord appeared again among men with greater soulabhya (easy accessibility) as Govinda.
 He lived among cow herders as one of them and served Arjuna as a chariot driver. 
At the end of the Gita, the Lord says to Arjuna: "Believe in me as the sole refuge, cast aside all doubt and come unto me.
 I shall save you from all sins. 
This is truth, friend. Cast off your fear."
 This promise of Sri Krishna is addressed to all of us.
 We, like Arjuna, have our doubts and fears in the Kurukshetra of life and this assurance of grace is for all of us, for we are all dear to Him.
JAI SRI RAM/ JAI SITA RAM/OM SRI RAM JAYA RAM JAYA JAYA RAM.
VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV

 76. EPILOGUE
 On one occasion Gandhiji and I were talking about a girl very dear to both of us.
 I said: "How did she get all these ideas and phrases of love without having read any of present-day love stories?" 
Gandhiji said in answer: "But has she not read the Ramayana? 
Is the Ramayana not a love story too?" 
This struck me as profound. 
Then we turned to other matters. 
Dasaratha's troubles began with love. 
Then the love of Rama and Sita is the theme and substance of Ayodhya Kanda. In love that is not opposed to dharma, we find a manifestation of God. 
So was it affirmed by Sri Krishna when he explained his manifold being to Arjuna. 
The Ramayana has, for its twin theme, love that is opposed to dharma also. 
The Ramayana is undoubtedly a great love story. 
Those who regard the Ramayana as an allegory interpret Sita as the individual soul and Rama as the Supreme Being. 
God seeks and pursues the human soul till He secures it.
 He is eager to save us.
 It is enough if we just do not obstruct or resist. 
There are also other interpretations and applications of the Ramayana.
 Sita, the female counterpart of the Supreme Being, is the embodiment of compassion grace. 
Compassion is the Supreme Mother and she is enthroned in the heart of the Lord. 
When she casts her merciful glance on us, we reach the feet of God.
 Parvati's function in relation to Siva and Lakshmi's in relation to Hari are both identical, and are just variations of the same creed of dependence on God's grace. 
God as Father and God as Mother are not distinct. 
If the Lord were to be parted from compassion, our plight would be just that of Ravana who separated Sita from Rama.
 The quality of the Lord's compassion can be understood from the experience of true human love.
 Many meanings can be read in the Ramayana and its beauty appreciated in many ways as from a real diamond many glorious colors emanate. 
Seventeen months ago I began writing glorious colors emanate. 
these weekly chapters not without fear and trembling. 
This week I close it full of thankfulness for the health of body and peace of mind that enabled me to complete this humble service.
 Learned men will no doubt many faults in what I have written.
 But they must be glad also that it has done some good. 
A word to the children who read these chapters. 
I have told the story of the Prince of Ayodhya mainly for your sake. 
Grown up people may read Valmiki and Kamban.
 Those who know how to sing can render with joy the sweet songs on Rama given to us by Tyagaraja. 
But this story that I have told can be read direct by you, children, without anyone's help. 
You should look upon Rama, Lakshmana and Hanuman like your own fathers and elder brothers who are by your side ever eager to help you.
 Grow to be like Bharata, Lakshmana and Hanuman, good and brave souls, full of love and strength. 
Mothers too, I know, have been reading this story with joy. 
This has been a great encouragement to me. 
They can understand why I have told the story in simple words and short sentences for the sake of our children. 
Everything we do, we do for the sake of our children, do we not?
 Only women can realise and relive the experiences and feelings of Sita. 
The story of Sita as told by Valmiki and Kamban can be fully appreciated only by women. 
Only they can fully appreciate the courage of Jatayu and the prowess of Hanuman. 
Sita's sorrows have not ended with the Ramayana. 
They go on, still, in the lives of our women.
 In the Rama avatar, Rama did not know that he was God incarnate. 
Krishna knew that he was an avatar and acted accordingly. 
We should read the two stories with this difference in mind. 
The despair and grief that the man Rama experienced, Krishna never knew. When he sucked at the demon-woman's breast or was bound with a rope and thrashed for mischief, he cared not nor grieved.
 Standing weaponless in the battlefield, he led the warrior to destroy the wicked. In every episode of Krishna we see the difference between the two avatars.
 I have followed the story of the Prince of Ayodhya as told by Valmiki.
 There was a legend current among people, I think even before Valmiki's time, that after recovering Sita, for fear of scandal, Rama sent her away to live in the forest. 
This pathetic episode must have sprung from the sorrow-laden imagination of our women. 
It has taken shape as the Uttara Kanda of Ramayana. 
Although there is beauty in the Uttara Kanda, I must say my heart rebels against it.
 Valmiki had disposed of this old legend through the fire ordeal in the battlefield. Even that ordeal does not seem to me as consistent with Rama's character. It is painful to read it. As the prince returned from Mithila he met As the prince returned from Mithila he met Parasurama. 
I have heard it said that with that meeting Parasurama's avatar came to an end. Likewise, it should be held, I think, that Rama's avatar came to an end with the slaying of Ravana. 
After that battle, Rama remained only as a King of the Ikshvaku race. 
On this theory, Rama's treatment of Sita after the battle and in the Uttara Kanda can be explained simply as the behavior of a king in accordance with the customs of the times.
 But, how can we comment on a work composed thousands of years ago and coming down to us in palm-leaf manuscripts subject to corruption?
 If, even after the fire-ordeal in the Yuddha Kanda, it is said in the Uttara Kanda that Sita was sent to the forest, we may take that it mirrors the voiceless and endless suffering of our women folk.
 Sorrow and joy are both alike the play of God. 
God himself took with him his divine spouse, the embodiment of his own supreme compassion, into the world men and women, and enacted with her a great drama of joy and sorrow in the Ramayana.
Rain falling from the heaven flows into the rivers and flows down to join the sea. 
Again from the sea the water is sucked up by the sun and rises to the sky, whence it descends again as rain and flows down as rivers. 
Even so, feelings and values rise from the people and, touching the poet's heart, are transformed into a poem which, in turn, enlightens and inspires the people. Thus in every land the poets and their people continuously reinforce each other. The tenderness and purity and the untold sufferings of women took shape as the Uttara Ramayana.
 Like an unflickering lamp, it throws light on the quality of their hearts. Whether the epics and songs of a nation spring from the faith and ideas of the common folk, or whether a nation's faith and ideas are produced by its literature is a question which one is free to answer as one likes. 
Does a plant spring from the seed or does seed issue from the plant? 
Was the bird or the egg the first cause? 
Did clouds rise from the sea or was the sea filled by the waters from the sky?
 All such inquiries take us to the feet of God transcending speech and thought. One other point, in describing how Ravana carried off Sita, Kamban differs from Valmiki. 
In Kamban's Ramayana, Ravana does not seize and carry Sita as Valmiki describes; 
without touching her he lifts her with the earth on which she stands. 
Kamban's version is followed by most popular expositors because this version is less painful to our feelings.
 It is no sin or shame to an innocent woman if a villain behaves like a brute. 
Yet, mistakenly, we in this country look on the violence of a brute as causing a blemish to the woman's purity. 
It is in deference to this wrong feeling that Kamban departed from Valmiki here. 
For the same reason, Tulasidas relates that the Sita seized and carried off by Ravana was not the real Sita at all but a palpable image of hers left behind by the real Sita. 
Thus the story is told in all of North India.
 During the fire ordeal, it is the maya-Sita that disappears and the real Sita springs again and returns from the flames.
 It was perhaps presumptuous on my part to have begun the task, but it was a joy to retell the Ramayana. 
Now, when it is over, I feel like one awaking from a dream of joy. 
When the prince left the city, he felt no sorrow. 
It was only when he lost Sita that he knew grief.
 So with me too. 
When I had to step down from When I had to step down from high office and heavy responsibility,
 I did not feel at a loss or wonder what to do next.
 But now, when I have come to the end of the tale of the Prince of Ayodhya, the void is like that of a shrine without a God. 
Let no one look upon work as a burden. Good work is the secret that keeps life going. 
While one should not hanker after results, life without work would be unendurable.

JAI SRI RAM/JAI SITA RAM/OM SRI RAM JAYA RAM JAYA JAYA RAM

VVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVVV

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